IFFK,
this annual celebration of film images, is into its
thirteenth edition this year. Where does it stand
among other such festivals? What are its hopes and
apprehensions? Snippets from a chat with Bina Paul
Venugopal, the Artistic Director of the Festival.
As
a film festival, where exactly do we stand now?
BPV:
Basically ours is a small festival, which is organised
with a limited budget. Even the facilities in the
theatres are not of international standards. These
are limitations. Still it draws huge crowds because
of the way it is organised; besides the films, there
is an ambience here that draws international attention.
The
people of Kerala are familiar with the world of international
cinema, but how far has Malayalam cinema succeeded
in reaching out?
BPV:
I think Malayalam cinema has an ingenious history,
a process of growth rooted in our own tradition. This
year we did have many films from here. But the crowds
are attracted to the films from outside, like Iran
or Turkey. Indian films and Malayalam films fail to
draw crowds here. Even new attempts are not received
well by our own people.
What
about the retrospective packages? Do they have enough
depth so that the viewer is able get to know about
a master?
BPV:
Of course not… but it is very difficult to get
copies of all the films. Last year, we found it difficult
to showcase a filmmaker like Pedro Almodovar, who
has several films. So, we are forced to show some
of their works in the form of DVDs; even if the film
prints are available, they do not have English subtitles.
There is also financial constraint for increasing
the numbers.
The
last three years have seen an increase in the number
of delegates. Has this affected the selection process
of films?
BPV:
We have to cater to all sections of people who come
here. There are students who might be coming for the
first time, people with different kinds of interest
in films; all of them have to be considered. Besides
films screened in the World Cinema section are expensive,
and are limited to two screenings. Considering the
fact that we have five shows in nine venues, it would
be difficult if we compromise on the number of films.
Even international festivals like Berlin screen around
300 films.
We
are amidst a digital revolution of sorts. DVDs are
easily available, we have several options to download
films. Has this affected the Festival in any way?
BPV: No. For one, I believe most
people come here for the experience that the festival
offers. Watching a film on the big screen is not the
same as watching it at home in DVD format. I think
those who love a particular film, can go and buy the
DVD's. But it has not affected the festival in any
way. What is special about a festival like this is
the whole atmosphere that surrounds it. Viewing a
film along with the directors and the crew, interacting
with them etc are something only a festival can offer.
Nothing else can beat that.
Swetha
Antony
© FIPRESCI